Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ 　　Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　这就是这个故事的灵感来源。 　　这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 　　采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 　　最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 　　Sylvain Vincendeau 1998

Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ 　　Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　这就是这个故事的灵感来源。 　　这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 　　采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 　　最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 　　Sylvain Vincendeau 1998

Henri was raised by religious in a convent and lived with them until the women, now elders, moved, leaving him alone. Henri fixes lamps. Since his young age, he's been replacing burned light bulbs and illuminates people's lives. After following signs, he finds himself working in a lamp company. Through his new work, he meets an old man trying to never forget his glory days and a blind woman, teller in an adult cinema, with whom he falls in love.

A ten year old Protestant girl travels to Belfast to take part in a music festival, and is billetted with a Catholic family.

A wide-ranging, energetic period piece tracing the rise of the Protestant Henry of Navarre as he goes from battlefield warrior to France's beloved King Henri IV. Director Jo Baier's epic is a classically entertaining adventure, albeit one with more than a little bloodshed and frequent bawdy sexual interludes. In late 16th-century France, Catholics and Protestant Huguenots were at war. Seemingly seeking peace, the French dowager queen, Catherine de Medici summons Henry to her court to have him marry her daughter, uniting the two warring factions. However, the Catholics slaughter the Protestant wedding guests in what became known as the St. Bartholomew's Day massacre and Henry-now married-must use all his guile to both stay alive and maneuver for the throne. [Written by Palm Springs International Film Festival]

A young woman experiences the worst life has to over in this depressing but worthwhile Colombian drama tinged with a hint of magical realism. Paola Baldion plays Marina, a withdrawn teenager whose abusive grand-dad houses her in a dilapidated shed. When the old fart pops his clogs, Marina passes into the care of cousin Jairo (Julian Roman), a cheesecake photographer who "hires" her to help him with his gear, and the two end up taking an episodic road trip as they travel to reclaim grandpa's legacy. Unpleasant flashbacks to Marina's tragic childhood ensue. Yep, the good times never end in this one! Known in English as Portraits in a Sea of Lies, this meditation on the 50-year long Colombian civil war - as seen through the grueling experiences of our heroine - won the Jury Award for Best Narrative Feature at the 14th Cine Las Americas International Film Festival.

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Television journalist Quentin Springer has two obsessions: first, he wants to help his schizophrenic nephew by making video recordings of his life; and second, he dreams of carrying out a "perfect crime".

By A Hair is a story about missed connections and the unpredictable hand of fate. Inez and Sean, two city dwellers navigating the mess of modern dating, find themselves on the verge of meeting over and over but just missing each other every time. As their daily lives unfold against the backdrop of Brooklyn, the film explores how timing, chance, and choice shape their chances of finding each other and love.

Iconic artist and theater director Robert Wilson has created a series of video portraits of celebrities, ordinary people and animals called "VOOM Portraits." Known for his glacier-paced theatrical productions with Tom Waits and Lou Reed, Wilson's now bringing his aesthetic to a video format. The recent developments in HD technology have allowed Wilson to create something like a precise hybrid of still photography and motion pictures. Actors such as Brad Pitt (as a crazy person on the streets in the rain), Isabelle Huppert (as Greta Garbo), Steve Buscemi (as a mad butcher chewing gum on a variety show), Robert Downey Jr. (as a dreaming corpse in a Rembrandt painting), and Winona Ryder (as Winnie, the main female character in Samuel Beckett’s Happy Days, buried up to her neck in sand) were asked to “think of nothing" and move slowly and steadily to collaborate in Wilson's vision of who they might be.